ABC和漫威3月18日晚(美国时间)将推出《Marvel Studios: Assembling a Universe》的电视特别节目,该节目将集中前瞻漫威未来的几部漫画影片。
作为这一活动的一部分,漫威也在网上提前发布了《复仇者联盟2:奥创年代》(Avengers: Age of Ultron)、《蚁人》(Ant-Man)、《银河护卫队》(Guardians of the Galaxy)的概念艺术图。其中《复联2》新角色“红女巫”(Scarlet Witch)、“快银”(Quicksilver)更是首次亮相,在电影中这两个角色分别由伊丽莎白·奥尔森(Elizabeth Olsen)、艾伦·泰勒·约翰逊(Aaron Taylor-Johnson)扮演。
Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”