60年代末的美国,伴随着战争的残酷与遥远以至似乎不可相信的登月壮举,年轻人们寻找着自身与世界的呼应。在纽约州白湖临近的小镇上,犹太青年艾略特(Demetri Martin 饰)为了照顾吝啬的母亲,放弃纽约的设计师工作回家帮忙打理汽车旅馆的生意,为了改善举步维艰的经营,艾略特借自己当地商会会长的便利,筹备举办例行的音乐节活动。与此同时,第一次伍德斯托克音乐节由于原定举办地当地政府的反对宣告停滞,艾略特抓住这次机会,邀请主办方迁址自己家乡,当地居民对嬉皮士观众们可能造成的危害忧心忡忡,艾略特在发布会上放弃收取门票的宣言更让各地音乐爱好者蜂拥而至,观众人数达几十万之众,让举办地成为了陷入狂欢的独立共和国。随着音乐节的进行,艾略特一家的问题亦得到了缓解……
本片根据Elliot Tiber的回忆录改编。
Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”