1945年8月6日,美国在日本广岛投下原子弹,震惊世界的毁灭性打击终结了那场人类有史以来最残酷的战争。在此之后,菲勒斯将军(马修·福克斯 Matthew Fox 饰)随同麦克阿瑟(汤米·李·琼斯 Tommy Lee Jones 饰)飞抵日本,处理战后事宜。美军先后将29名日本高官指为战犯并予以逮捕,而对天皇裕仁的处理方面却令他们备感棘手。考虑到菲勒斯对日本的熟悉程度,麦克阿瑟命令他在十天之内就裕仁对战局的影响程度进行评估。深知天皇在日本国民心目中的重要地位,稍有不慎便会引起连锁反应。为此菲勒斯慎重以对,尽可能地去理清神化面纱后一个东方男子的人生轨迹。与此同时,他渴望找到曾有过短暂交往的女孩彩(初音映莉子 饰)。
短暂的十天异国之旅,决定一个国家乃至世界命运的重要时刻……
杰克·格林(杰森·斯坦森 Jason Statham 饰)是一个整日游走于各种赌局的职业赌徒,然而却因为在一次大意的赌局中,被赌界黑势力巨头多西·马查(雷·利奥塔 Ray Liotta 饰)下套,最终锒铛入狱。然而七年的牢狱之灾对杰克来说却并不无裨益,当他发现他的两个狱友分别是国际象棋大师和骗术高手时,便开始了学习深造的道路。刑满出狱的杰克已经身怀绝技,雄心勃勃地决定重返江湖,并报当年一箭之仇。
今时不同往日的杰克很快在赌场上如鱼得水所向披靡,还狠狠地羞辱了多西·马查一回。然而马查也不是好惹的角色,恼羞成怒的他下决心要除掉杰克。然而祸不单行,就在杰克在忙着躲避多西的围堵之时,命运竟告知他患上了罕见的血液病,生命只剩下三天期限……
Every summer, teenage girls from across Missouri spend a week building a government from the ground up. Coming from different ends of the political and socioeconomic spectrum, they all share a passion for reimagining the future of America. The filmmakers behind Boys State (T/F 2020) return to the world of teen politics to capture the 2022 program – the first time in history that Girls State and Boys State take place simultaneously on the same campus. With rumors of Roe v. Wade being overturned in the real world, the stakes feel higher than ever for these ambitious and dedicated young women. As the days unfold and rumblings from the Boys program make their way across campus, discontent begins to emerge over the disparities between the two. An exhilarating portrait of our political landscape and the pivotal issue of gender equality.
Ben Stiller tells the story of his parents, comedy icons Jerry Stiller and Anne Meara, exploring their impact on both popular culture and at home, where the lines between creativity, family, life and art often blurred. In the process, Stiller turns the camera on himself and his family to examine Jerry and Anne’s enormous influence on their lives, and the generational lessons that we can all learn from those we love.
Star, a suicidal teen now too old for foster care, develops a candid rapport with An, a student from Shanghai who is assigned to watch her while she is in hospital. A nightly exchange of secrets, text messages and possessions quickly expands the boundaries of their relationship, altering their inner chemistry.
Gilded by a soundscape that interweaves work by emerging and pioneering electronic musicians, Queens of the Qing Dynasty is an offbeat ode to neurodiversity and genderqueer individuals who refuse to conform. Director Ashley McKenzie’s blend of formalism and gritty realism does not fail to surprise and treats the audience to flashes of visual and conceptual poetry. Her cast is entirely composed of first-time actors who convincingly convey how unique every individual is, both in how they see the world and how they relate to others. Ziyin Zheng in the role of An graciously embodies a mix of idiosyncrasy and frankness that makes them an ideal confidante for Star (Sarah Walker). They have what it takes to be on the receiving end of the scrutinising gaze of Star, who sees through conventions and never ceases to be amazed at life’s bewildering events. Veering on slapstick, Walker’s performance will not go unnoticed.
Several young couples travel to a private island for a mysterious training retreat that promises to strengthen their relationship. However, during the Retreat, the heroes encounter an ancient demon - a Succubus. This monster feeds on the life energy of people, taking on someone else's appearance and provoking victims to show the worst qualities and do terrible things.